[b][url=http://www.rolexwatchescheapsale.top/rolex-datejust-automatic-watches-c-12.html]replica watches[/url][/b]
[b]rolex[/b]
replica watches
replica watches
rolex

rolex song dance girl






















US Dollar
Euro
GB Pound
Canadian Dollar
Australian Dollar
Jappen Yen
Norske Krone
Swedish Krone
Danish Krone
CNY





Categories

Rolex Day-Date Swiss ETA 2836 Watches
Rolex Milgauss Watches
Cosmograph Daytona
Datejust
Datejust 36 mm
Datejust II
Datejust Lady 31
Datejust Special Edition
Day-Date
Day-Date II
Explorer
Explorer II
GMT-Master II
Lady-Datejust
Lady-Datejust Pearlmaster
Milgauss
New 2014 models Rolex
New 2014 models Rolex
Oyster Perpetual
Rolex Air-King Watches
Rolex Datejust Automatic Watches
Rolex Datejust Swiss ETA 2671 Watches
Rolex Datejust Swiss ETA 2836 Watches
Rolex Day-Date Automatic Watches
Rolex Day-Date II Watches
Rolex Daytona Watches
Rolex Deepsea
Rolex Explorer Watches
Rolex GMT-Master Watches
Rolex Masterpiece Watches
Rolex New Arrival
Rolex New Watches
Rolex Prince Watches
Rolex Sea Dweller Watches
Rolex Submariner Watches
Rolex Yacht-Master Watches
Sky-Dweller
Submariner
Yacht-Master
Yacht-Master II




Featured -   [more]
Rolex Datejust 36 mm Watch: White Rolesor - combination of 904L steel and 18 ct white gold – M116234-0084 [e69f]$43,314.00  $190.00Save: 100% offRolex Cosmograph Daytona Watch: Yellow Rolesor - combination of 904L steel and 18 ct yellow gold – M116523-0055 [f9a3]$23,776.00  $189.00Save: 99% offRolex Datejust Lady 31 Watch: Everose Rolesor - combination of 904L steel and 18 ct Everose gold – M178341-0003 [3def]$25,497.00  $191.00Save: 99% off



Free Songs Lyrics New Release Song Lyrics.

วันพุธที่ 4 มิถุนายน พ.ศ. 2551
Wearing My Rolex Lyrics - Wiley
Wearing My Rolex Lyrics - Wiley What would we do Usually drink, usually dance, usually bubble All I want to do is tell you I love you Thats when i start promising the world to a brand new girl i dont even know yet Next thing shes wearing my rolex What would we do Usually drink, usually dance, usually bubble Usually drink, usually dance, usually bubble What would we do Usually drink, usually dance, usually bubble All I want to do is tell you I love you All I want to do is tell you I love you Thats when i start promising the world to a brand new girl i dont even know yet Next thing shes wearing my rolex Too much champs dont know wear my phone is Here's my number, she already knows it This chapters alot, better close it Just a look in her eye was so evil Wiley's a party guy and she knows it What would we do Usually drink, usually dance, usually bubble All I want to do is tell you I love you Thats when i start promising the world to a brand new girl i dont even know yet Next thing shes wearing my rolex What would we do Usually drink, usually dance, usually bubble All I want to do is tell you I love you Thats when i start promising the world to a brand new girl i dont even know yet Next thing shes wearing my rolex What would we do Usually drink, usually dance, usually bubble Usually drink, usually dance, usually bubble What would we do Usually drink, usually dance, usually bubble All I want to do is tell you I love you All I want to do is tell you I love you Thats when i start promising the world to a brand new girl i dont even know yet Next thing shes wearing my rolex Too much champs dont know wear my phone is Here's my number, she already knows it This chapters alot, better close it Just a look in her eye was so evil Wiley's a party guy and she knows it *What would we do* Usually drink, usually dance, usually bubble *All I want to do is tell you I love you* Thats when i start promising the world to a brand new girl i dont even know yet Next thing shes wearing my rolex
เขียนโดย

AoODiEnAToR
ที่
20:48
1 ความคิดเห็น:
ป้ายกำกับ:
lyrics,
lyrics song,
music,
song,
Wiley
Cry For You Lyrics - September
Cry For You Lyrics - September I never had to say goodbye You must have known I wouldn't stay While you were talking about our life You killed the beauty of today Forever and ever Life is now or never Forever never comes around People love and let go Forever and ever Life is now or never Forever's gonna slow you down You'll never see me again So now who's gonna cry for you You'll never see me again No matter what you do You'll never see me again So now who's gonna cry for you You'll never see me again No matter what you do You never heard me break your heart You didn't wake up when we died Since I was lonely from the start I think the end is mine to write Forever and ever Life is now or never Forever never comes around People love and let go Forever and ever Life is now or never Forever's gonna slow you down You'll never see me again So now who's gonna cry for you You'll never see me again No matter what you do You'll never see me again So now who's gonna cry for you You'll never see me again No matter what you do Forever and ever Life is now or never Forever never comes around Forever and ever Life is now or never Forever never comes around You'll never see me again So now who's gonna cry for you You'll never see me again No matter what you do You'll never see me again So now who's gonna cry for you You'll never see me again No matter what you do Forever and ever Life is now or never Forever never comes around
เขียนโดย

AoODiEnAToR
ที่
20:45
ไม่มีความคิดเห็น:
ป้ายกำกับ:
lyrics,
lyrics song,
music,
September,
song
Love In This Club Lyrics - Usher Ft Young Jeezy
Love In This Club Lyrics - Usher Ft Young Jeezy (Usher talking) I do it for the ladies I gotta keep it hood Where we at Polo? ('EY) I see you right Yo Keith You was right We just gettin started YEAHHHHHH MAN (Usher) You say you searching for somebody That'll take you out and do you right Well come here baby and let daddy show you what it feel like You know all you gotta do is tell me what you sippin' on (sippin on sippin on) (ey) And I promise that I'm gonna keep it comin' all night long (hook) Lookin' in your eyes while you on the other side And I think shorty I've got a thing for you Doin' it on purpose Windin and workin' it I can tell by the way you lookin' at me girl (chorus) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) (Usher) (Listen) Got some friends rollin' wit you baby then that's cool (that's cool, that's cool) You can leave em wit my niggaz let em know that I got you (got u, got u) If you didn't know, you're the only thing that's on my mind (my mind, my mind) Cos the way you staring miss you got me wantin to give it to you all night (hook) Lookin' in your eyes while you on the other side I can't take it no more baby I'm comin for you You keep doin' it on purpose whindin and workin' it If we close our eyes it could be just me and you (chorus) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) (Young Jeezy talking) POLO YOU A FOOL FOR THIS ONE HOMIE I'm ON EM, YEAHHHH LETS GO!! (Young Jeezy) I'm what you want, I'm what you need He got you trapped, I'll set you free Sexually, mentally, physically, emotionally I'll be like your medicine, you'll take every dose of me It's going down on isle 3 ratsixbt. rolex oyster perpetual superlative chronometer officially certified cosmograph 18k 750. I'll bag you like some groceries And every time you think about it you gon' want some more of me Bout to hit the club, make a movie yeah rated R Pulled up like a trap star, that's if you had (in the car) Have you ever made love to a thug in the club with his sights on? 87 Jeans and a fresh pair of Nikes on On the couch, on the table, on the bar, or on the floor You can meet me in the bathroom yeah you know I'm tryna go (usher) Might as well give me a kiss, if we keep touchin like this I know you scared baby, They don't know what we doin Lets both get undressed right here, keep it up girl I swear, imma give it to you non stop And I don't care, who's watchin... watchin... watchin (watchin watchin... ohhhh... in this club, on the floor, baby's just makin love) (chorus) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) I wanna make love in this club 'ey (in this club 'ey in this club 'ey) (lovin in... lovin in this club. 'eyyy... yea... ey... ey... love... in the club... in the club, ur the one, can u freak me babe? ) (ey) X7 (usher) In the back, on the side, in the front. ya ya ya ya
เขียนโดย

AoODiEnAToR
ที่
20:42
1 ความคิดเห็น:
ป้ายกำกับ:
lyrics,
lyrics song,
music,
song,
Usher
Closer Lyrics - Ne-Yo
Closer Lyrics - Ne-Yo Closer X 4 Woo Verse 1: Turn the lights off in this place And she shines just like a star And I swear I know her face I just don't know who you are Turn the music up in here I still hear her loud and clear Like she's right there in my ear Telling me that she wants to Own me To control me Come closer (come closer) Come closer Chorus: And I just can't pull myself away Under a spell I can't break I just can't stop (I just can't stop) I just can't stop (I just can't stop) And I just can't free myself, no way But I don't want to escape I just can't stop (I just can't stop) I just can't stop (I just can't stop) I just can't stop Verse 2: I can feel her on my skin I can taste her on my tongue She's the sweetest taste of sin The more I get, the more I want She wants to own me Come closer (closer) She says, "Come closer" Hey Chorus: And I just can't pull myself away Under a spell I can't break I just can't stop (I just can't stop) I just can't stop (I just can't stop) And I just can't free myself, no way But I don't want to escape I just can't stop (I just can't stop) I just can't stop (I just can't stop) I just can't stop Bridge: Come closer (closer) X 3 Come closer Ooo I just can't stop, no-o I just can't stop, no-o (Just can't stop it, no, no) I just can't stop, no-o (Just can't stop it, no, no, no) I just can't stop, no-o (No, no) Chorus: And I just can't pull myself away Under a spell I can't break I just can't stop (I just can't stop) I just can't stop (I just can't stop) And I just can't free myself, no way But I don't want to escape I just can't stop (I just can't stop) I just can't stop (I just can't stop) I just can't stop And I just can't pull myself away Under a spell I can't break I just can't stop (I just can't stop) I just can't stop (I just can't stop) I just can't stop Come closer
เขียนโดย

AoODiEnAToR
ที่
20:35
ไม่มีความคิดเห็น:


The 100 Greatest Dance Songs
 

Comments (0)

by
Staff

January 30, 2006

To ignore race when discussing music is to ignore the very origins of the art form itself. We won’t lecture about tribal music in Africa, the oral tradition of communal song across Europe and Latin America, or the origin of rhythm and blues in the spirituals of the American South, but it’s impossible to overlook the fact that, in 2006, dance music is a force to be reckoned with everywhere around the world except the United States. Hip-hop—bless its formerly repressed, underdog heart—rules the U.S. charts to the point where a dance single cracking the Top 10 is considered a huge accomplishment. What constitutes a “club” song today is vastly different from a decade ago. In 1996, Everything But the Girl and La Bouche were climbing the pop charts; in the 21st century, we’ve got, at worst, Fat Joe’s 2004 hit “Lean Back,” a song about not dancing, and, at best, Pussycat Dolls’ more-hip-hop-than-dance “Don’t Cha.” Dance music (that is, dance-pop and house, the two most popular post-disco offshoots) has been ironically ghettoized, pushed back underground and relegated to discotheques and niche radio stations that are increasingly adding urban artists to their playlists. Of course, America’s ethnic diversity is a primary factor, so it’s no surprise that the crossover-R&B club banger would become the new dance-pop. Hip-hop can be traced directly back to ’70s funk and disco and the origins of dance music are firmly rooted in black music—a circle that’s impossible to dismiss. Rather than lament the apparent slow death of dance as we know it, we’ve decided to celebrate one of the most varied, perpetually evolving genres in music today…in anticipation of its next great leap. If you’re unfamiliar with any of the songs on our list, we suggest you get yourself to a music shop or online downloading service and stock up your vinyl bag or iPod ASAP.
Listen to the entire list at here.
100

Sven Väth, “My Name Is Barbarella” (1992)
Deep Dish’s boomy, velveteen remix of “Barbarella” is a sincere form of flattening; it’s hot-to-trot but strips Sven Väth’s “My Name Is Barbarella” of its multifarious, galaxy-bouncing textures. If Dubfire and Sharam’s mix doesn’t rise above the dance floor at Roxy, Väth’s original trance anthem—a rich tapestry of synths, drums, deep bass and angelic flights of fancy at once heavenly and wicked—takes us considerably higher. Guided by dialogue samples from Roger Vadim’s camp-trash classic Barbarella , the track is so rich you don’t need the psychedelic drugs to vicariously experience the thrill of Jane Fonda’s 1968 space odyssey. Call it music for Care Bears. Ed Gonzalez
99

Moby, “Everytime You Touch Me” (1995)
Phillip Lopate once noted that “Fellow [Mikio] Naruseans do not fall into each other’s arms but are testy, as though irritated at meeting another keeper of the flame.” If you, like me, were all of 18 and a Moby fan some 10 years ago, you might have felt the same about the little bald bugger. Five years later, though, there was no way of pretending Moby’s music was mine—and mine alone—given the throngs of moms, businessmen, frat boys and drunk girls giddily throwing their hands in the air at a Play concert in New York City. It may have been the day I lost my soul to the hipster devil Armond White lobs holy water at on a weekly basis, because in that moment I became too cool to listen to someone who’d carelessly license their music the way Moby did after trumpeting an anti-establishment song for so many years. But let’s be fair here. If you were able to get past the didactic sleeve notes and song titles, Moby was making some really great music before the glossy commercial formulas of 18 and Hotel . I could never hang out with the guy—he’s a fucking vegan, for God’s sake!—but for giving us the humane, spiritual exaltation of Everything Is Wrong and Play , the Little Idiot is still pretty fly for a white guy. Any number of songs could have made this list (“Feeling So Real,” “Machete,” or even the Rollo & Sister Bliss remix of his Mission of Buhrma cover “That’s When I Reach For My Revolver”) but “Everytime You Touch Me” seems the most definitive given that it mashes together every Moby pretense (the conservationist concerns, girly vocals, black fetish) into one song with effortless aplomb. Moby is singing about the planet, but “Everytime You Touch Me” is no “Earth Song” (for that, check out the tree-hugging hysteria of “The Blue Light of the Underwater Sun”). It’s a love song first, and it’s been compiled with the manic energy of someone whose heart clearly beats for their work—godless hipsters be damned! Gonzalez
98

Mariah Carey, “Dreamlover (Def Club Mix)” (1993)
A musical carbon copy of the Emotions’s “Blind Alley” (Hammond organ and all), 1993’s “Dreamlover” is one of Mariah’s most enduring uptempo numbers. The basic musical concept of the song remains the same on the popular Def Club Mix, but Mariah’s vocals are completely rerecorded to fit the essence of David Morales’s house track, effectively creating an entirely new song in its own right. The chorus, once bouncy and girlish, is restrained and sexy, with Mariah exuding a come-hitherness that wouldn’t fully be revealed on her albums until several years later. It’s almost as if, in the dark, private confines of Morales’s studio (and in the name of the down-and-dirty club scene), Mariah was given license to be who she wanted to be by a record label set on maintaining the status of their crossover chart princess. In other words, let Mariah do what she wants as long as it stays on the remix—this practice became even more prevalent once Mariah set her sights on hip-hop. Morales’s deep bass, beats and spliced-up vocals are patently a product of early-’90s house, but the ambitious arrangement was just a preview of his forthcoming remixes with Mariah, including his epic, multi-part dance floor suite for “Fantasy,” which harks back to the days of Moroder and Bellotte. Though it’s not exactly the influence-wielding track many claim it to be, “Dreamlover” was certainly one of the first massively reconstructed remixes of its kind to cross over in such a big way. It’s also a testament to Mariah’s commitment to club music and respect for the remix process. Sal Cinquemani
97

Anita Ward, “Ring My Bell” (1979)
The epitome of the one-hit wonder (a term that has become almost synonymous with “disco artist”), Anita Ward made her mark in popular music with the 1979 hit “Ring My Bell.” Sporting one of the first uses of synthesized percussion on a popular record since Donna Summer’s “I Feel Love” and a smattering of electronic flourishes, the track is a cutesy, borderline-novelty tune that manages to withstand the battering of time thanks to Ward’s coy vocal performance and R&B producer-songwriter Frederick Knight’s lyrical composition about the perks of domesticity. Cinquemani
96

Metro Area, “Miura” (2001)
Metro Area’s foot-thumper “Miura” is nothing if not all-inclusive, ladling economical spoonfuls of tribal beats, Latin drums and funk grooves across what may be the hottest eight-minute bassline in the world. It was released in 2001, when all eyes were on Moroder for dance revivalism. Morgan Geist and Darshan Jesrani, instead, chose to infuse their techno sensibility with disco strings and boogie keyboards, providing a much-needed alternative to electroclash. Others tried to convince us that what they were doing was new (even if “new” meant “injected with irony”), but the sound-for-sound’s-sake craftsmanship on this and virtually every other Metro Area offering bespoke a love for its source material so profound that it wasn’t afraid to make its throwback nature blatant. Rich Juzwiak
95

Lissette Melendez, “Together Forever” (1991)
What better way to convey Latin freestyle’s telenovela-esque BIG, BROAD EMOTIONS than with a big, broad stream of clichés? (“Together forever, yours/Together forever, mine/Facing what we feel inside/Ready to stand the test of time,” goes the chorus.) It’s delivered by East Harlem native Lisette Melendez, whose nasal voice wasn’t nearly as heinous or happily off-key as many of her peers (here’s lookin’ at you, Lil’ Suzy). “Together Forever” helped indoctrinate freestyle’s new-school revision; by 1991, it was more rhythmically layered and complex than it was during its early days of tone-deaf melodies over electro beats. Carlos Berrios, the producer of “Forever,” would go on to recycle his production for the likes of Corina (in her inferior but infinitely more popular “Temptation”) and Jammy (in “Walk Away”; if you aren’t from Jersey, you can’t be faulted for not knowing that one), but Melendez’s bond with this beat is eternal. Juzwiak
94

Two Tons o’ Fun, “Do You Wanna Boogie, Hunh?” (1980)
Maybe more than anyone on Earth, Martha Wash has a genetic predisposition to disco and house music. Her voice is so massive, it’s as though nothing can accompany it, much less compete with it, except for a giant 4/4 beat. Amazing, then, that there was a time when there was not one, but two matches for her: fellow Ton, Izora Rhodes and Sylvester. When Wash and Rhodes recorded their self-titled debut in 1980, they were best known as Sylvester’s back-up singers (Harvey Fuqua, responsible for producing much of Sylvester’s ’70s output, was behind the boards for this one, too). They’d go on to be renamed (thanks to the intro of “It’s Raining Men,” they became known as the Weather Girls), and have shares of solo success (even if it was somewhat anonymously—Wash infamously provided the original, uncredited vocals to C+C Music Factory and Black Box hits of the early ’90s). But maybe all that was redundant, in retrospect. In simply asking “Do you wanna boogie?” against lush disco, Wash and Rhodes had already answered their own question. Juzwiak
93

George Michael, “Killer/Papa Was a Rolling Stone” (1993)
George Michael had major cojones to combine covers of “Killer” and “Papa Was A Rolling Stone” into one live performance. This five-minute fusion of the two has nothing to do with race (gone is a didactic but significant lyric from Seal’s song) but it’s still very much about the fallout of prejudice. Both the propulsive production and Michael’s vocal—girly and soulful as ever—tease out an emotional connection between the songs. Way before his balls-out performance inside a Beverly Hills park bathroom, it was obvious that Georgie’s ridiculously danceable lament to abandonment came to us from a very lonely closet. Gonzalez
92

Bedrock featuring KYO , “For What You Dream Of” (1993)
A grandiose, perpetually oscillating stream of synthesized sounds and thumping bass, Bedrock’s prog house anthem “For What You Dream Of” is impressive not only for its many unpredictable ups and downs but also for the sheer force of its soulful vocal (by ex-Staxx of Joy singer Carol Lemming, appearing here as KYO), which posits dance as a form of spiritual healing. It sounds as if John Digweed and Nick Muir haven’t left a single button on their synthesizers unpressed, but “For What You Dream Of” scarcely feels synthetic. Gonzalez
91

Uncanny Alliance, “I Got My Education” (1992)
The queen of all bitch tracks, “I Got My Education” starts where so many limp-wristed diatribes of its time did: “Miss Thing, Miss Thing, Miss Thing, Miss Thing.” Producer Brinsley Evans and rapper/bitcher E.V. Mystique were a cut above your standard pier queens, though: With its minimal vibe and maximal organ, the track opens up to become a clever, soundalike satire of Crystal Waters’s “Gypsy Woman (She’s Homeless).” Co-produced by Masters at Work, “I Got My Education” is like a prequel to Waters’s bleeding-heart house, as E.V. mocks her Miss Thing character for getting fired, seeking work at Burger King and then panhandling while pretending to be blind and armless. “I’ll buy you a sandwich, but I ain’t givin’ you no money/You might try to buy crack or somethin’ with it,” camps E.V., proving that the social consciousness that drove a lot of early vocal house had nothing on a piping hot serving of bitch. Juzwiak
Next

1 2345678910
film

Madonna: Truth or Dare
by
Keith Watson

Truth or Dare is less of a concert film than an elaborately constructed exegesis on pop mythmaking. 
dvd

Dangerous Game
by
Jake Cole

Abel Ferrara takes his gonzo style to its most abstract dimensions and produces one of his most essential, and least heralded, films.
house

Busan International Film Festival 2015 Leopard Do Not Bite , Underground Fragrance , Look Love , & More
by
Alex Suber

It succeeded in creating what director Lee Yong-kwan called “the window to the world for Asian films.”
Explore Features
Interviews
Lists
Festivals
Awards
Live Reviews
Directors
Artists
Commentary
More +

Recent Articles
Every Pixar Movie, Ranked from Worst to Best
by
House Staff

Twin Peaks: The Return Recap Part 6
by
Budd Wilkins

Silicon Valley Recap Season 4, Episode 8, “The Keenan Vortex”
by
Elise Nakhnikian

{/exp:ce_cache:escape:house-latest}
Most Popular
Features
Read
Commented
The 100 Greatest Video Games of All Time
The 100 Greatest Horror Films of All Time
The 100 Best Films of the 1990s
The 25 Best Video Games of 2013
The 100 Best Singles of the 1980s
Twin Peaks: Every Episode Ranked
The 25 Best Janet Jackson Songs
The 50 Greatest Horror Films of the 21st Century
The 100 Best Albums of the 1980s
The 25 Best Films of 2012
The 100 Greatest Video Games of All Time
The 100 Greatest Horror Films of All Time
The 100 Best Films of the 1990s
The 25 Best TV Shows of 2013
The 100 Best Singles of the 1980s
The 100 Best Albums of the 1980s
The 25 Best Horror Films of the Aughts
The 100 Best Albums of the 1990s
The 100 Best Films of the Aughts
Ed Gonzalez: Top 10s
 
Giveaways
" data-flickity-lazyload=" " alt="Bitter Harvest DVD Giveaway"
" src="http://www.rolexwatchescheapsale.top/images///slantmagazine/features/article/ .jpg" alt="Bitter Harvest DVD Giveaway"
Enter to win Blu-rays of Power: Season 3 , 3 Generations , South Park: Season 20 , a The Bourne Initiative prizepack, and more!!!
{/exp:ce_cache:it}

Top Dance Club Songs
Dance Club Songs is a chart exclusively compiled by Billboard on the basis of “Billboard Reporting DJs” w.r.t most popular songs in the USA Dance Clubs. Considering the importance of this category of songs, we have gathered the list which consists of top-notch songs (with official videos) only. Enjoy the recent Top Dance Club Songs below.
Latest Latest Featured posts Most popular 7 days popular By review score Random


rolex daytona 1992 price in india
square diamond rolex ring
daytona 500 winners purse
diamond rolex replica watches










Home  
Shipping  
Wholesale  
Order Tracking  
Coupons  
Payment Methods  
Contact Us  




NEW Replica Watches   
Replica Rolex Watches   
AAAA Replica Rolex Watches   
Fake Rolex Watches   
Replica Rolex Oyster  
Cheap Replica Rolex Watches  





Copyright © 2012 All Rights Reserved.














replica watches
rolex
watches blog watches About rolexwatchescheapsale.top blog